It’s January, which means four things: taxes, school starting up again, CES and MacWorld Expo.
The first two are universally reviled, and typically only mac heads (go Steve!) go nuts about MacWorld – no, this is about CES, the Consumer Electronics Show in Las Vegas. I feel it’s time I inflict you, my gentle reader, to my thoughts and opinions of the new items of digital nature, most specifically Sony’s new ebook, geniusly named the “Sony Reader” which I lust for almost as a new PowerBook.
Peter Kafka aluded in his Forbes.com article Sony’s possible intention to create a market with their e-books similiar to Apple with their ipods. Sadly this enlightening insight was never followed up. I shall compare the products, Apple’s iPod and iTMS with Sony’s Reader and BBeB (Broadband electronic Book) store to find the dis-analogy between the two.
Next to me is my ipod, a simple 30 gig model with video, given to me as a christmas present that cost $290.83 (give or take) with a student discount. It has roughly 12 gigs of music and the occasional video podcast, dl.tv, DiggNation and when Jenn Cutter gets an episode out, OpenAlpha. What is it you say? Yes, I’ll stop gloating over my christmas present…
What truly made the iPod a viable option for me was my huge resource of music and video I had before hand. Those Napster commercials comparing their $30 a month service (or however much they are charging now, please feel free to correct me) to a ginormous $10,000 price tag to fill up a 60 gig ipod – which was quickly panned by geeks as misdirection and balogna. I have had a respectable collection of music before considering a digital media player, and my first two mp3 players were not iPods, I certainly would not have bought all the music I have from Apple’s store, DRM is still DRM, and the thought of going through that many songs with JHymn doesn’t appeal to me.
Sony’s Ebook Reader (and you thought I had forgotten, ha!) is quite possibly the best ebook there is, technologically speaking. Their libre in Japan was not as popular as they had hoped for a reason so simple you probably have never thought about it – there is no market when peoples media can’t be used on your machine. Allow me to elaborate…
For the same reason Napster’s commercial was misdirection, electronic books haven’t made reached a critical mass, people already had converted from their “bulky” Compact Discs to .mp3, ,ogg, .wmv, a band of small musicians… People weren’t forced to re-encode, or worse re-purchase the music they already owned, which the music industry has shown constant contempt – an article that’s already been written by countless smarter individuals than I.
In order for an eBook to become popular enough with “the people” there must be a way to get copies of books they already own affordably and without DRM. I’ll give my reasons for the DRM-less nature later on. When .mp3 converters came out they cost varying amounts of money (most entry level consumer software cost roughly 10-15 USD) which were used by the percentage of computer users who A. knew what mp3s were, B. thought filling their 10 gig harddrives with 96kbs copies of Aerosmith would be a groovy idea and C. weren’t “geeky” enough to use command line programs which were free. The entire reason it cost money was to develope a usable interface (and most rarely were, ah the good old days…) and pay the license fee to the owners of the mp3 copyright.
While converting a CD is really quite easy, hell even my mother can do it, because it’s already a digital form. it’s not called Compact Disc Digital Audio for nothing: converting one type to another is quite easy. This makes converting my cds to too many gigs of compressed lossy files a task I can complete in under a weekend. But with books, it’s a slightly more difficult issue. I don’t want to use SonyConnect™ to buy a copy of a book (or 100) I already own, even at a %25 markdown (gee, paper, shipping, manufacturing must cost so little)
Unfortunately I can’t personally convert my copy of Isaac Asimov’s Foundation and Earth, well worn with repeated reading. For those who haven’t had the opportunity to read Isaac Asimov, I would suggest you start with Caves of Steel, not all science fiction sucks. I would have to manually scan each page with a scanner, which I do not currently own, possibly numerous times to ensure the scans were good enough for some computer software to convert into text, such software has a 95% or so accuracy rating, and at 300 odd pages it becomes unviable. This would take hours or days to accomplish, which is not something most individuals would want to do, much less to all their books they may wish to read.
You might say, Dear night auditor, if you have a copy of Foundation and Earth, why do you want a digital copy of it? Two very good reasons; it’s good to have insurance in case something happens to the original, and I can’t effectively carry around all the books I want with me. Sony’s Reader is tauted as having a capacity of 80 books, with an expansion for even more content. For me, this would be a godsend. I’ve done enough traveling, and even in a daily basis when I wish to read in public, to know that taking my books to read is difficult and some times dangerous. Once I accidently ruined my girlfriend’s copy of Lord of the Rings which her grandfather owned on a trip. She’s finally forgiven me, but it shows the hazards of taking something so delicate as bound paper on the road, not to mention the heft involved.
My solution? Strange as it sounds, a subscription to a service provider to do it for you. I feel that Napster and Real’s Rhapsody $15 a month “all you can eat” music provisions suffer from a lack of ownership, or I shoud say, you don’t get to keep what you eat. This hypothetical digital content provider, eBook-Monthly™ (we’ll say) would charge you a small monthly fee to provide you copies of books you’ve proven to them you own. Or for those who prefer the $.99 route, or don’t really own enough books to make a per-month credit card charge. Providing both revenue options really would be in the best interest of eBook-Monthly… for reasons that I frankly don’t wish to explain.
The service isn’t the music, like Rhapsody, I’m not paying the $15 to keep ownership of these little files which are merely copies of what I already own. Instead I’m paying the company a service-fee for getting a high quality copy of the book for my own personal use. Which brings me to why these files must be DRM free. The book I have has no DRM, the police do not show up at my door if I highlight or mark in my book, or *gasp!* loan the book to a friend to read. eBook-Monthly does not own the books, the book publishers do. I’ve paid/inhereted a physical copy to do with as I please, even resell at a profit.